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Stats 'n facts from music, television and movies

Prime-time viewership numbers compiled by Nielsen Media Research for Feb. 16-22.

# SHOW NETWORK VIEWERS
1. (1)
CSI: Crime Scene Investigation,
CBS
30.9
2. (2)
American Idol-Tuesday
Fox
25.2
3. (4)
Friends,
NBC
24.3
4. (6)
ER,
NBC
22.8
5. (5)
Survivor: All-Stars,
CBS
22.8
6. (3)
American Idol-Wednesday,
Fox
22.1
7. (12)
Without a Trace,
CBS
20.1
8. (8)
The Apprentice,
NBC
19.8
9. (11)
Everybody Loves Raymond,
CBS
19.8
10. (9)
CSI: Miami,
CBS
19.6

It was a fond farewell to Carrie Bradshaw and her pals, with HBO's "Sex and the City" attracting its biggest audience ever for Sunday's series finale.

An estimated 10.6 million people saw Sarah Jessica Parker's character exit Paris into the arms of Mr. Big, Nielsen Media Research said Tuesday.

That was the biggest HBO audience for any program since the fourth season premiere of "The Sopranos," which was seen by 13.4 million viewers in September 2002. "The Sopranos" returns March 7.

Among viewers aged 18 to 34, particularly women, HBO beat the broadcast networks with "Sex and the City." HBO, a pay cable network, is seen in about 30 percent of the nation's television homes.

ABC was buoyed Sunday by the return of Regis Philbin, who drew 17.5 million viewers to "Super Millionaire."

That euphoria may prove short-lived, however. "Super Millionaire" sagged to 12.3 million Monday in the second of a five-night run, according to Nielsen's preliminary ratings.

It was overshadowed Monday by the finale of Fox's "My Big Fat Obnoxious Fiance," which had just under 21 million viewers.

Fox's other sweeps month reality stunt, "The Littlest Groom," drew tiny ratings. It was seen by only 7.5 million people last week.

Mel Gibson's interview with Diane Sawyer was seen by 17.1 million people last week, a strong showing for the newsmagazine.

For the week that ended Sunday, CBS continued its dominance by averaging 13.6 million viewers (8.7 rating, 14 share). NBC was second with 12.8 million (8.1, 13), but won handily among the 18-to-49-year-old demographic it cares about most.

Fox was third with 9.7 million viewers (5.8, 9), ABC had 9.2 million (6.0, 10), the WB 4.2 million (2.8, 4), UPN 4 million (2.6, 4) and Pax TV 1.2 million (0.8, 1).

Top Movies weekend of Feb, 20-22
Weekend Gross
Number of screens
Per-screen average
Weeks in release
Gross to date

o

50 First Dates
Sony

$21.0 

3612 

$5814 

$72.3 

o

Confessions of a Teenage Drama Queen
Disney

$9.2 

2503 

$3682 

$9.2 

o

Miracle
Disney

$8.0 

2713 

$2949 

$50.6 

o

Welcome to Mooseport
20th Century Fox

$7.0 

2867 

$2442 

$7.0 

o

Eurotrip
DreamWorks

$6.6 

2512 

$2627 

$6.6 

o

Barbershop 2: Back in Business
MGM

$6.3 

2229 

$2826 

$53.2 

o

Mystic River
Warner Bros.

$3.1 

1352 

$2308 

20 

$79.1 

o

Against the Ropes
Paramount

$3.0 

1601 

$1874 

$3.0 

o

The Butterfly Effect
New Line

$2.9 

1901 

$1512 

$53.1 

10 

o

The Lord of the Rings: The Return of the King
New Line

$2.8 

1407 

$1990 

10 

$361.1 

Love was still in the air a week after Valentine's Day, as ''50 First Dates'' easily topped the box office for the second weekend in a row.

''Dates,'' starring Adam Sandler and Drew Barrymore, grossed $21 million, according to studio estimates. That's down 47 percent from its opening weekend, bringing the romantic comedy's 10-day total to an impressive $72.3 million.

Four new films premiered this weekend. The biggest showing came from the Lindsay Lohan comedy ''Confessions of a Teenage Drama Queen,'' which debuted with $9.2 million thanks to Lohan's legions of young female fans.

Holding on to third place was the hockey drama ''Miracle,'' which fell 43 percent to $8 million. After three weeks, the Kurt Russell vehicle has earned just over $50 million.

Despite the combined star power of Ray Romano and Gene Hackman, the comedy ''Welcome to Mooseport'' managed only $7 million in its first weekend, apparently damaged by its fair to negative reviews. Close behind was the virtually star-free comedy ''Eurotrip,'' which premiered with $6.6 million.

But they each fared better than ''Against the Ropes,'' Meg Ryan's boxing drama. Audiences showed no interest in getting into the ring with this film, which opened in eighth place with just $3 million. In box-office terms, that's a TKO.

Billboard Top 10 
Top 10 Positions as of February 17, 2004
This
Week
Last
week
Artist, "Title"
Imprint | Catalog No. | Distributing Label
1 -
Norah Jones, Feels Like Home
Blue Note | 84800
2 -
Kanye West, The College Dropout
Roc-A-Fella/Def Jam | 002030* | IDJMG
3 1 Kenny Chesney, When The Sun Goes Down
BNA | 58801 | RLG
4 6
OutKast, Speakerboxxx/The Love Below 8
Arista
5 4 Josh Groban, Closer 2
143/Reprise | 48450 | Warner Bros.
6 5 Harry Connick, Jr., Only You
Columbia | 90551 | Sony Music
7 7 Evanescence, Fallen 4
Wind-up
8 3 Twista, Kamikaze
Atlantic | 83598* | AG
9 2 Incubus, A Crow Left Of The Murder...
Immortal/Epic | 90890* | Sony Music
10 13 Various Artists, 2004 Grammy Nominees
Grammy | 58022 | BMG Strategic Marketing Group

Norah Jones scored the largest opening week in more than two years to bow on top of The Billboard 200. Her second Blue Note album, "Feels Like Home" sold an incredible 1.02 million copies in the U.S., according to Nielsen SoundScan, to give the artist her second No. 1 album. Her debut, "Come Away With Me," has sold 8 million copies since its release in 2002.

The sales total is the best debut week since 'N Sync's "Celebrity" (Jive) sold 1.88 million in 2001. Additionally, "Feels Like Home" registers the second-best week ever totaled by a female artist. Britney Spears holds that crown with her second effort, "Oops ... I Did It Again" (Jive), which arrived with sales of 1.32 million in 2000.

Overall retail traffic was on the increase in the week following the Grammy Awards and leading up to Valentine's Day, with U.S. album sales exceeding 17 million units. It's the biggest week ever registered outside of November or December, with sales up 35.9% over the previous week and 24.6% above the comparable week in 2003. Year-to-date sales are up 13% over 2003.

Although a distant second to Jones, Chicago-bred hip-hop artist Kanye West moved a mighty 440,000 copies of his long-awaited debut, "The College Dropout" (Roc-A-Fella). Last week, the album's "Slow Jamz" featuring Twista and Jamie Foxx reached No. 1 on Billboard's Hot 100. The song also appears on Twista's Atlantic album "Kamikaze," which falls 3-8 on a small 12% sales dip to 151,000 copies and a to-date total of 637,000 copies.

Last week's chart-topper, Kenny Chesney's "When the Sun Goes Down" (BNA), drops to No. 3. Sales fell 36% to 350,000 copies, giving the set a two-week total of 900,000 copies, and enough to hold the No. 1 post on Billboard's Top Country Albums chart for a second week.

With an album of the year Grammy in its pocket, OutKast sees its two-CD set "Speakerboxxx/The Love Below" (Arista) rebound 6-4 on The Billboard 200 on a 147% sales increase to 275,000 copies. Josh Groban's "Closer" (Reprise) falls one to No. 5 despite a 34% sales increase to 231,000 copies.

The Valentine's Day spirit was kind to Harry Connick Jr., as his latest bettered its first-week numbers. Although "Only You" (Columbia) drifts one position to No. 6, sales were up 58% to 220,000 copies, giving him a two-week total of 360,000.

Fresh from a best new artist Grammy win, Evanescence saw an 82% sales burst for its Wind-Up debut "Fallen." The album sold 183,000 copies and, in its 50th week on the chart, holds its No. 7 position. Incubus' "A Crow Left of the Murder" slides 2-9, suffering a 62% dip to 125,000 copies. In two weeks, the Immortal/Epic album has sold 456,000 copies.

The "2004 Grammy Nominees" compilation album, released by BMG Strategic Marketing, is up 13-10 on an 85% sales gain to 120,000 copies. Other albums enjoying a post-Grammy bump include Beyoncé's "Dangerously in Love" (Columbia), which moves 23-12 on a 101% gain to 99,000 copies, Coldplay's "A Rush of Blood to the Head" (Capitol), which moves 47-40 on a 71% increase to 44,000 copies, and the White Stripes' "Elephant" (V2), which rockets 105-44 on a 206% burst to 41,000 copies.

Other notable debuts on this week's chart include Melissa Etheridge's "Lucky" (Island, No. 15), Damageplan's "New Found Power" (Elektra, No. 38), the soundtrack to "Queer Eye for the Straight Guy" (Capitol, No. 39), Kylie Minogue's "Body Language" (Capitol, No. 42), Drag-On's "Hell and Back" (Virgin, No. 47) and Courtney Love's "America's Sweetheart" (Virgin, No. 53).

The following is from "Ain't It Cool News", one of the most popular and well regarded websites that oversees the ins and outs of show business.  "Harry" is Harry Knowles, founder and owner of AICN, which gets millions of hits a month........

A Rabbi speaks out to defend THE PASSION OF THE CHRIST!

Hey folks, Harry here... This is a different sort of article here at AICN. This is a very serious article, written by someone who has given a great deal of thought to some extreme issues that have been raised regarding THE PASSION OF THE CHRIST. In many ways this is an opinion and a take on the controversy surrounding numerous allegations about the film, that I haven't seen discussed from this particular point of view. Discussion is really heating up on this title, figured this was a voice that should be heard.

Why Mel Owes One To The Jews

Rabbi Daniel Lapin

Toward Tradition

Two weeks before Mel Gibson's Passion flashes onto two thousand screens, online ticket merchants are reporting that up to half their total sales are for advance purchases for Passion. One Dallas multiplex has reserved all twenty of its screens for The Passion. I am neither a prophet nor a movie critic. I am merely an Orthodox rabbi using ancient Jewish wisdom to make three predictions about The Passion.

One, Mel Gibson and Icon Productions will make a great deal of money. Those distributors who surrendered to pressure from Jewish organizations and passed on Passion will be kicking themselves, while Newmarket Films will laugh all the way to the bank. Theater owners are going to love this film.

Two, Passion will become famous as the most serious and substantive Biblical movie ever made. It will be one of the most talked-about entertainment events in history, it is currently on the cover of Newsweek and Vanity Fair.

My third prediction is that the faith of millions of Christians will become more fervent as Passion uplifts and inspires them. Passion will propel vast numbers of unreligious Americans to embrace Christianity. The movie will one day be seen as a harbinger of America's third great religious reawakening.

Those Jewish organizations that have squandered both time and money futilely protesting Passion, ostensibly in order to prevent pogroms in Pittsburgh, can hardly be proud of their performance. They failed at everything they attempted. They were hoping to ruin Gibson rather than enrich him. They were hoping to suppress Passion rather than promote it. Finally, they were hoping to help Jews rather than harm them.

Here I digress slightly to exercise the Jewish value of "giving the benefit of the doubt" by discounting cynical suggestions growing in popularity, that the very public nature of their attack on Gibson exposed their real purpose-fundraising. Apparently, frightening wealthy widows in Florida about anti-Semitic thugs prowling the streets of America causes them to open their pocketbooks and refill the coffers of groups with little other raison d'être. But let's assume they were hoping to help Jews.

However, instead of helping the Jewish community, they have inflicted lasting harm. By selectively unleashing their fury only on wholesome entertainment that depicts Christianity, in a positive light, they have triggered anger, hurt, and resentment. Hosting the Toward Tradition Radio Show and speaking before many audiences nationwide, I enjoy extensive communication with Christian America and what I hear is troubling. Fearful of attracting the ire of Jewish groups that are so quick to hurl the "anti-Semite" epithet, some Christians are reluctant to speak out. Although one can bludgeon resentful people into silence, behind closed doors emotions continue to simmer.

I consider it crucially important for Christians to know that not all Jews are in agreement with their self-appointed spokesmen. Most American Jews, experiencing warm and gracious interactions each day with their Christian fellow-citizens, would feel awkward trying to explain why so many Jewish organizations seem focused on an agenda hostile to Judeo-Christian values. Many individual Jews have shared with me their embarrassment that groups, ostensibly representing them, attack Passion but are silent about depraved entertainment that encourages killing cops and brutalizing women. Citing artistic freedom, Jewish groups helped protect sacrilegious exhibits such as the anti-Christian feces extravaganza presented by the Brooklyn Museum four years ago. One can hardly blame Christians for assuming that Jews feel artistic freedom is important only when exercised by those hostile toward Christianity. However, this is not how all Jews feel.

From audiences around America, I am encountering bitterness at Jewish organizations insisting that belief in the New Testament is de facto evidence of anti-Semitism. Christians heard Jewish leaders denouncing Gibson for making a movie that follows Gospel accounts of the Crucifixion long before any of them had even seen the movie. Furthermore, Christians are hurt that Jewish groups are presuming to teach them what Christian Scripture "really means." Listen to a rabbi whom I debated on the Fox television show hosted by Bill O'Reilly last September. This is what he said, "We have a responsibility as Jews, as thinking Jews, as people of theology, to respond to our Christian brothers and to engage them, be it Protestants, be it Catholics, and say, look, this is not your history, this is not your theology, this does not represent what you believe in."

He happens to be a respected rabbi and a good one, but he too has bought into the preposterous proposition that Jews will reeducate Christians about Christian theology and history. Is it any wonder that this breathtaking arrogance spurs bitterness?

Many Christians who, with good reason, have considered themselves to be Jews' best (and perhaps, only) friends also feel bitter at Jews believing that Passion is revealing startling new information about the Crucifixion. They are incredulous at Jews thinking that exposure to the Gospels in visual form will instantly transform the most philo-Semitic gentiles of history into snarling, Jew-hating predators.

Christians are baffled by Jews who don't understand that President George Washington, who knew and revered every word of the Gospels, was still able to write that oft-quoted beautiful letter to the Touro Synagogue in Newport, offering friendship and full participation in America to the Jewish community.

One of the directors of the AJC recently warned that Passion "could undermine the sense of community between Christians and Jews that's going on in this country. We're not allowing the film to do that." No sir, it isn't the film that threatens the sense of community; it is the arrogant and intemperate response of Jewish organizations that does so.

Jewish organizations, hoping to help but failing so spectacularly, refutes all myths of Jewish intelligence. How could their plans have been so misguided and the execution so inept?

Ancient Jewish wisdom teaches that nothing confuses one's thinking more than being in the grip of the two powerful emotions, love and hate. The actions of these Jewish organizations sadly suggest that they are in the grip of a hatred for Christianity that is only harming Jews.

Today, peril threatens all Americans, both Jews and Christians. Many of the men and women in the front lines find great support in their Christian faith. It is strange that Jewish organizations, purporting to protect Jews, think that insulting allies is the preferred way to carry out that mandate.

A ferocious Rottweiler dog in your suburban home will quickly estrange your family from the neighborhood. For those of us in the Jewish community who cherish friendship with our neighbors, some Jewish organizations have become our Rottweilers. God help us.

Radio talk show host, Rabbi Daniel Lapin, is president of Toward Tradition, a bridge-building organization providing a voice for all Americans who defend the Judeo-Christian values vital for our nations survival.

BY THE WAY Harry Here-- Rabbi Daniel Lapin is a well known zealot type is known to do some pretty wild right wing things that I completely do not approve of. I don't endorse him, but in this particular case I think what he has to say is of value.